I see ghosts everywhere, and that is partially a function of my being incredibly near-sighted and reading way too late into the night.

And she, the new mother of a daughter, felt a fierceness come over her that seized at her heart, that made her feel as if her bones were turned to steel, as if she could turn herself into a weapon to keep this daughter of hers from having to be hurt by the world outside the ring of her arms.

The idea of legitimacy is something I suppose I deal with in my fiction, and in part it's probably a response to my upbringing. When I was growing up I was the middle child, pathologically shy, in a family with a very loud and opinionated older brother, and I felt as if I never had the right to speak. As a result, I simply didn't speak very much.

Sometimes I read a biography of some tempestuous artist and find myself longing for fireworks! booze! bloody fights!; I do think that life must be so much more thrilling when you're actively miserable.

I can say that if you're a writer who happens to be a woman, you'll get a book cover that depicts a woman with no head, or a woman turning away, or a pair of high heels. You have to fight to not get stuck with these covers. In the U.S. women are chick-lit writers unless they prove otherwise, and that's frustrating.

I love writing from enclosed spaces: you really learn about your characters when they have tight walls to push against.

I see ghosts everywhere, and that is partially a function of my being incredibly near-sighted and reading way too late into the night.