The novella is at once the most elegant and demanding form: a writer must balance the looseness of a novel with the concision of a short story, a feat that only the bravest and most talented of us can manage. In Brazil, Jesse Lee Kercheval proves, yet again, that she is exactly the right writer for the job. A wild American picaresque, Brazil snaps along briskly, yet feels full-fleshed, and brims with a sly wit and grace.
Lauren GroffWhile writing, writers are living inside a character or characters, and when the book ekes into the world, writers are living inside the reader. That's more than connecting.
Lauren GroffEven still, we run. We have not reached our average of 57.92 years without knowing that you run through it, and it hurts and you run through it some more, and if it hurts worse, you run through it even more, and when you finish, you will have broken through. In the end, when you are done, and stretching, and your heartbeat slows, and your sweat dries, if you've run through the hard part, you will remember no pain.
Lauren GroffThe idea of legitimacy is something I suppose I deal with in my fiction, and in part it's probably a response to my upbringing. When I was growing up I was the middle child, pathologically shy, in a family with a very loud and opinionated older brother, and I felt as if I never had the right to speak. As a result, I simply didn't speak very much.
Lauren Groff