I love the hamster but I think if I took him on tour he might die.

Nobody is strong 100 percent of the time, or falling apart 100 percent of the time; sometimes you're doing both at once.

I'm sure that a lot of women and men feel differently about it, but for me this isn't about being the girl in the band... it's just about being IN the band, if that makes sense? We're trying to keep it in a pure and genuine place for us and not break it down to gender, because it's just a bit boring and obvious isn't it?

I try not to say exactly what songs are about sometimes, because I feel like it ruins it for people.

I think in reading a few sentences of text you can just tell the tone, and that's something I love in prose writers.

I think a lot of people spend a lot of time talking about what they hate rather than what they love. I don't want to get trapped in that.

Everyone's [ me, Iain Cook and Martin Doherty] equally involved in all the writing. Normally we'll start with a sample or a drumbeat, or a synth sound or something like that, and that will spark the initial idea. And then we'll write an instrumental sketch of a song, and then we put on a nonsense vocal melody, which is always my favourite bit because it obviously sounds amazing.