That is what hatred is. It will feed you and at the same time turn you to rot. It is hard and deep and angular, a system of blockades. It is everything and total. Hatred is a high tower. In the Wilds, I start to build, and to climb.

Everything in me feels fluttering and free, like I could take off from the ground at any second. Music, I think, he makes me feel like music.

...if you are one tardy away from missing out on a big competition, you should probably make your coffee at home.

I'm not scared, if that's what you're wondering. The moment of death is full of sound and warmth and light shooting away, arcing up and up and up, and if singing were a feeling it would be this, this light, this lifting, like laughing... The rest you have to find out for yourself.

That's when you realize that most of it-life, the relentless mechanism of existing-isn't about you. It doesn't include you at all. It will thrust onward even after you've jumped the edge. Even after you're dead.

And for a moment―for a split second―everything else falls away, the whole pattern and order of my life, and a huge joy crests in my chest. I am no one, and I owe nothing to anybody, and my life is my own.

That was what her parents did not understand—and had never understood—about stories. Liza told herself storied as though she was weaving and knotting an endless rope. Then, no matter how dark or terrible the pit she found herself in, she could pull herself out, inch by inch and hand over hand, on the long rope of stories.