I know the rules. I've been living here longer than you have." He cracks a smile then. He nudges me back. "Hardly." "Born and raised. You're a transplant." I nudge him again, a little harder, and he laughs and tries to catch hold of my arm. I squirm away, giggling, and he stretches out to tickle my stomach. "Country bumpkin!" I squeal, as he grabs out and wrestles me back onto the blanket, laughing. "City slicker," he says, rolling over on top of me, and then kisses me. Everything dissolves: heat, explosions of color, floating.

Of course. That's what people do in a disordered world, a world of freedom and choice: they leave when they want. They disappear, they come back, they leave again. And you are left to pick up the pieces on your own.

I've never really thought about it before, but it's a miracle how many kinds of light there are in the world, how many skies: the pale brightness of spring, when it feels like the hole world's blushing; the lush, bright boldness of a July noon; purple storm skies and a green queasiness just before lightning strikes and crazy multicolored sunsets that look like someone's acid trip.

With the cure, relationships are all the same, and rules and expectations are defined. Without the cure, relationships must be reinvented every day, languages constantly decoded and deciphered. Freedom is exhausting.

Suicide. A sideways word, a word that people whisper and mutter and cough: a word that must be squeezed out behind cupped palms or murmured behind closed doors. It was only in dreams that I heard the word shouted, screamed.

My former people were not totally wrong. Love is a kind of possession. It’s a poison. And if Alex no longer loves me, I can’t bear to think that he might love somebody else.

They told us love was a disease. They told us it would kill us in the end. For the very first time I realize, that this, too, might also be a lie.