This is the language of the world before—a world of chaos and confusion and happiness and despair—before the blitz turned streets to grids, cities to prisons, and hearts to dust.

Is it possible to tell the truth in a society of lies? Or must you always, of necessity, become a liar?

This is one of my favorite things about the Underground: the crashing of the cymbals, the screeching guitar riffs, music that moves into the blood and makes you feel hot and wild and alive.

I feel an overwhelming rush of sadness... I'm just struck with a sense of time passing so quickly, rushing forward. One day I'll wake up and my whole life will be behind me, and it will seem to have gone as quickly as a dream.

amazingly, i'd actually forgotten that i'm supposed to be plain. i'm so used to alex telling me i'm beautiful. i'm so used to feeling beautiful around him. a hollow opens up in my chest. this is what life will be like without him: everything will become ordinary again. i'll become ordinary again.

They haven't killed us yet," I say, and I imagine that one day I will fly a plane over Portland, over Rochester, over every fenced-in city in the whole country, and I will bomb and bomb and bomb, and watch all their buildings smoldering to dust, and all those people melting and bleeding into flame, and I will see how they like it. If you take, we will take back. Steal from us, and we will rob you blind. When you squeeze, we will hit. This is the way the world is made now.

Summer explodes into Portland. In early June the heat was there but not the color--the green were still pale and tentative, the morning had a biting coolness--but by the last week of school everything is Technicolor and splash, outrageous blue skies and purple thunderstorms and ink-black night skies and red flowers as brights as spots of blood.