I feel like I'm playing some giant video game, or trying to solve a really complicated math equation. 'One girl is trying to avoid forty raiding parties of between fifteen to twenty people each, spread out across a radius of seven miles. If she has to make it 2.7 miles through the center, what is the probablitiy she will wake up tomorrow morning in a jail cell? Please feel free to round pi to 3.14'.

The secret is,” I say, whispering right into his ear, “that yours was the best kiss I’ve ever had in my life.” “But I’ve never kissed you,” he whispers back. Around us the rain sounds like falling glass. “Not since third grade, anyway.” I smile, but I’m not sure if he can see it. “Better get started, then,” I say, “because I don’t have much time.

...the past: It drifts, it gathers. If you are not careful, it will bury you. This is half the reason for the cure: It clean-sweeps; it makes the past, and all its pain, distant, like the barest impression on sparkling glass.

We'll walk together holding hands, and kiss in broad daylight, and love each other as much as we want to, and no one will ever try to keep up apart.

Additionally, Liesl and Po is the embodiment of what writing has always been for me at its purest and most basic--not a paycheck, certainly; not an idea, even; and not an escape. Actually, it is the opposite of an escape; it is a way back in, a way to enter and make sense of a world that occasionally seems harsh and terrible and mystifying. (From the "Author's Note" at the end).

It occurs to me that for a long time she has been doing her own version of resisting.

This is the first day of my new beginning. From now on I'm going to do things right. I'm going to be a different person, a good person. I'm going to be the kind of person who would be remembered well, not just remembered.