For the first time in my life I actually feel sorry for Carol. I'm only seventeen years old, and I already know something she doesn't know: I know that life isn't life if you just float through it. I know that the whole point- the only point- is to find things that matter, and hold on to them, and fight for them, and refuse to let them go.

Quiet through the grave go I; or else beneath the graves I lie

That was what her parents did not understand—and had never understood—about stories. Liza told herself storied as though she was weaving and knotting an endless rope. Then, no matter how dark or terrible the pit she found herself in, she could pull herself out, inch by inch and hand over hand, on the long rope of stories.

Sarah: "Not bad. You look almost human." Lena: "Thanks." Sarah: "I said almost." Lena: "Well, then, almost thanks.

I loved to be alone in the woods, especially in the late fall when everything is crisp and golden, the leaves the color of fire, and it smells like things turning into earth. I loved the silence - the only sound the steady drum of the hooves and the horse's breathing.

That's the beauty of the cure. No one mentions those lost, hot days in the field, when Thomas kissed Rachel's tears away and invented worlds just so he could promise them to her, when she tore the skin off her own arm at the thought of living without him.

They couldn’t have known that even this was a lie—that we never really choose, not entirely. We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven’t chosen at all. But maybe happiness isn’t in the choosing. Maybe it’s in the fiction, in the pretending: that wherever we have ended up is where we intended to be all along.