The thematic core of X-Men is tolerance. It's that for those of us who are different in any way - in a big way - whether it's you're a minority, you're a woman, you're a Muslim, you are suppressed or marginalized; it can go the whole spectrum, but even if you are shy or you feel like an outsider, and X-Men are outsiders.

We just don't want to repeat anything that we've done in the movies [X-man] or that we're going to do in the movies. There's so many stories to tell, we just want to stay out of each other's way.

The best writers are gravitating to that world. What's rewarding also is this: you have a two hour movie, you can't really delve into character that much. In a TV show you can. You can delve into character. You can get into nitty gritty.

What I'm always afraid of is going "off-book,I always get upset when the director leaves the classic comic that was so very popular. I argued, and I won't say with who about what, but when we go way away from the original source material... that material is popular for a reason and I like to stick with it.

The thrill of doing television versus features is in television you get to focus more on the characters.

What we always want to say [in X-men] is, "It's OK to be yourself, and actually it's a gift to be yourself. Whatever it is that you have, that may be your gift." I think that's what we always want to say, and spread it out, so have tolerance for other people who are different also.

At a certain point people want to see other movies besides comic book movies so you have to be really careful what you're going to pick, and how many are going to be released within a year.