Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history’s illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities.

There is, I have heard, a little thing called sunrise, in which the sun reverses the process we all viewed the night before. You might assume such a thing as mythical as those beasts that guard the corners of the earth, but I have it on the finest authority, and have, indeed, from time to time, regarded it with my own eyes.

But that initial, comet-blazing-across-the-sky, Big Idea is only the beginning. Each book is composed of a mosaic of thousands of little ideas, ideas that invariably come to me at two in the morning when my alarm is set for seven.

Love doesn't attack; it infiltrates.

It was lovely to see cynicism in one so young. It positively restored his faith in human nature.

Old books exert a strange fascination for me -- their smell, their feel, their history; wondering who might have owned them, how they lived, what they felt.

Gentlemen do so appreciate a nicely trimmed décolletage.