I've been a fan of Mads since the “Casino Royale” movie. I really sat up and paid attention to him. I was like, “Who is this motherf**ker?” Even his work in something as sort of popcorn as “Clash of the Titans,” he brings a kind of danger and reality and he grounds it in such a way that you think, yes, I'm good to work with this guy. I should come back, just stay behind him. (Laughs) Our working relationship has been fantastic.

We know that passion, prejudice, party, and even good-will, tempt many who preserve a fair character with the world to deviate from truth in the laxity of conversation.

When you're on screen with Mads, there's some real fireworks because your character is his intellectual equal. In a way, maybe your character has an instinct as to who this man really is.

I certainly believe that being in contact with ones spirit and nurturing ones spirit is as important as nurturing ones body and mind. We are three dimensional beings: body, mind, spirit.

Special effects are characters. Special effects are essential elements. Just because you can't see them doesn't mean they aren't there.

I've played a lot of bad guys, 'cause that was the only work I could get. People saw my face and went 'oooh'.

I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.