Madness is consistent; which is more than can be said for poor reason. Whatever may be the ruling passion at the time continues equally so throughout the whole delirium, though it should last for life. Madmen are always constant in love; which no man in his senses ever was. Our passions and principles are steady in frenzy; but begin to shift and waver, as we return to reason.

There is no small degree of malicious craft in fixing upon a season to give a mark of enmity and ill-will: a word--a look, which at one time would make no impression, at another time wounds the heart, and, like a shaft flying with the wind, pierces deep, which, with its own natural force, would scarce have reached the object aimed at.

I hate set dissertations,--and above all things in the world, 'tis one of the silliest things in one of them, to darken your hypothesis by placing a number of tall, opake words, one before another, in a right line, betwixt your own and your readers conception.

But this is neither here nor there why do I mention it? Ask my pen, it governs me, I govern not it.

Digressions incontestably are the sunshine; they are the life, the soul of reading.

To write a book is for all the world like humming a song—be but in tune with yourself, madam, 'tis no matter how high or how low you take it.

An interesting difference between new and experienced stage managers is that the new stage manager thinks of running the show as the most difficult and most demanding part of the job, whereas the experienced stage manager thinks of it as the most relaxing part. Perhaps the reason is that experienced stage managers have built up work habits that make then so thoroughly prepared for the production phase that they [can] sit back during performances to watch that preparation pay off.