I think there's a fine line between being so obtuse that you lose the reader completely, which is the intention for some writers, though it isn't mine. I work hard at grounding the world as much as possible in the world we do recognize.

I think it's still difficult to write about motherhood and anxiety, that talking about not wanting to be a mother or feeling ambivalent about motherhood makes people uneasy. The ambivalent mother is certainly much more interesting.

I'd say that most of life seems to me to be that way, a mixture of the mundane and the mythic, when you're living the life of the mind.

I think that absurdity in literature looks into a lack of meaning in some important and fundamental way. It allows us to ask questions in ways that other forms can't, or in ways we can't using solely traditional means.

I could have a lot of fun with Michael Jackson, I'm sure.

When a certain show or film or celebrity captures the imagination of the masses that has a good deal to say about us, I think, and what is happening in our collective psyche.

My mom was a big Elvis fan and a general pop culture buff, and so I grew up in a house filled with what were then called "movie magazines,"Before Elvis when Rhona Barrett wrote her column about the stars. And so it seeped in.