Disability strips away complacency. Affliction is brutal, but it can also push vital questions to the fore. The afflicted body becomes a site of otherness, confusion, isolation, watchfulness, longing. One becomes keenly aware of the impersonality of brute matter, but at the same time there is often a raw, mistrustful desire for gentleness, connection.

Images work on so many different levels. As a writer you feel them, try not to get in their way or narrow them down to anything other or less complex. A writer is a curator of sorts - once you've brought the images together you try to stand at a respectful distance and let them speak for themselves. Try not to mess with their ambiguities and contradictions. They are what they are, irreducible. This is their integrity.

Disability strips away complacency. Affliction is brutal, but it can also push vital questions to the fore. The afflicted body becomes a site of otherness, confusion, isolation, watchfulness, longing. One becomes keenly aware of the impersonality of brute matter, but at the same time there is often a raw, mistrustful desire for gentleness, connection.

Writing involves an acceptance of being on the margin, the threshold, a galvanization out of received notions into a more activated, kinetic, often perilous, seeing.

One of the beautiful things about writing is that it offers an inner life that's disciplined and at the same time wild. Not in any way servile or submissive. It exists outside of institutional and other forms of authority even when being affected by them. On what almost feels like a cellular level, it's anathema to labeling and enforced divisions.

Writing, for me, has to do with liberty of mind. The liberty to intuit, assess, be surprised, even to be ashamed and reconsider. To feel the integrity and generosity of words, but also their disruptive violence and volatility. To even begin to do them justice requires a radical letting go and stringent attention. I was interested in following that impulse toward liberty.