I would never be so arrogant to think that someone should model their life after me. But the idea of possibility the idea that I get to live my dreams out in public, hopefully will show to other folks that it's possible. So I prefer the term 'possibility model' to 'role model.'

I believe if we have something that we love to do, that can save our lives. That can get us through.

Each and every one of us has the capacity to be an oppressor. I want to encourage each and everyone of us to interrogate how we might be an oppressor and how we might be able to become liberators for ourselves and for each other.

When a trans woman gets called a man, that is an act of violence.

We live in an uncertain world and we want to believe that what a man is and what a woman is-I know that. And people don't want to critically interrogate the world around them. Whenever I'm afraid of something or I'm threatened by something, it's because it brings up some sort of insecurity in me. I think the reality is that most of us are insecure about our gender. They think, 'Okay, if there's this trans person over here, then what does that make me?

We shouldn't demonize the woman who wears high heels and we shouldn't demonize the woman who doesn't wear high heels. We should accept all forms of comportment.

When you train as a dancer, you understand you have to work exceptionally hard. I think dancers are the hardest - working people in show business. You have to push your body beyond where you thought it could go. It's athleticism. Perfection doesn't exist, but with classical ballet, there is an ideal, and I got obsessed with that ideal. In some ways, it was problematic because I don't have an ideal ballet body, but the discipline is what I carry with me to this day. That's my park, the discipline of dancing.