The loved object is simply one that has shared an experience at the same moment of time, narcissistically; and the desire to be near the beloved object is at first not due to the idea of possessing it, but simply to let the two experiences compare themselves, like reflections in different mirrors. All this may precede the first look, kiss, or touch; precede ambition, pride, or envy; precede the first declarations which mark the turning point—for from here love degenerates into habit, possession, and back to loneliness.

There is no pain compared to that of loving a woman who makes her body accessible to one and yet who is incapable of delivering her true self -- because she does not know where to find it.

These are the moments which are not calculable, and cannot be assessed in words; they live on in the solution of memory, like wonderful creatures, unique of their own kind, dredged up from the floors of some unexplored ocean.

Sorrow is implicit in love as gravitation is implicit in mass.

I suppose the secret of his success is in his tremendous idleness which almost approaches the supernatural.

'We live' writes Pursewarden somewhere 'lives based upon selected fictions. Our view of reality is conditioned by our position in space and time — not by our personalities as we like to think. Thus every interpretation oа reality is based upon a unique position. Two paces east or west and the whole picture is changed.

Our inventions mirror our secret wishes.