If your work is going to draw from life, you'd better work very hard to keep up with reality.

That was certainly true the first time, when I did Body Heat, the first movie that I directed. I was looking for a vessel to tell a certain kind of story, and I was a huge fan of Film Noir, and what I liked about it was that it was so extreme in style.

But, George and Steven asked me to write the Indiana Jones sequels, and I didn't want to.

Any story that Billy Wilder told, you can tell in a Western.

With Westerns you have the landscape is important, and it's empty, and only you populate it. When you populate it, you can tell any kind story that Shakespeare told, you can tell in a Western.

I mean, the trouble with some of the kind of relationship movies I've done, is there's only so many ways you can shoot a conversation. I was really tired of talking heads.

The kind of pace that you want to use in a Western - just to acknowledge the land in the distance that everyone has to travel, and the way things develop sort of slowly - it's almost the antithetical of what's currently going on in the movies, you know.