A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control.

Here's what we [Americans] need: a 30 second you tube video of some guy at a party constantly checking out everyone else at the party, while he pretends to be speaking to the other person. We're the other person. The guy are the politicians. And the distraction is the corruption: We need a Congress that can afford to talk to us. For at least one drink or so.

If the only way a library can offer an Internet exhibit about the New Deal is to hire a lawyer to clear the rights to every image and sound, then the copyright system is burdening creativity in a way that has never been seen before because there are no formalities.

One great feature of modern society is the institutionalized respect we give to processes designed to destroy the past.

Every generation welcomes the pirates from the last.

The more important point, however, is not about what the money does. It's about what has to be done to get the money. The effect of the money might be (democratically) benign. But what is done to secure that money is not necessarily benign. To miss this point is to betray the Robin Hood fallacy: the fact that the loot was distributed justly doesn't excuse the means taken to secure it.

One theme of what I've been writing has been to get people to understand that "apolitical" means "you lose." It doesn't mean you live a utopian life free of politicians' influence. The destruction of the public domain is the clearest example, but it will only be the first.