A world where Congressmen spend 30 to 70 percent of their time raising money from a tiny, tiny fraction of the 1% is a world where that tiny, tiny fraction has enormous power. And it's that inequality in political power that enables this corrupted system to happen.

There's no reason for the electors to overrule the popular choice.

All of the great Disney works took works that were in the public domain and remixed them.

A time is marked not so much by ideas that are argued about as by ideas that are taken for granted. The character of an era hangs upon what needs no defense.

A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control.

While appropriation art is critical to art, it's an ambiguous art form in the world of the Supreme Court.

A culture without property, or in which creators can't get paid, is anarchy, not freedom.