In my eyes, making art is very often about something that you don't know.

I think it's a waste of time to worry about the motives of why people are supportive of things. I think we should look at the thing itself. And if they're supportive of something that's sexist or racist, then it's a bad thing, but it's not because they're supportive of it that it's a bad thing.

Art's supposed to build logic structures.

Artists try to ask questions, and within our society, unless there are artists, those questions don't get asked. And everybody blames the market.

There's a radical change in the relationship with the human being and society. Art now is an open conversation with the society. Previously there was a necessity for a little bit of screaming and shouting just to get it into the conversation.

Now "professional" seems to be whoever you went to school with. It constitutes your nuclear world. And that's the fault of the teachers; it's not the fault of the young artist.

As nice as some of the booths are, it's not the same thing. It's a pity for young artists, because one of the things that a younger artist can look forward to is an emerging dealer who has a space that they can take over and build whatever will suit whatever aesthetic they find themselves in. In an art fair, you turn yourself into an object.