Hubbard set up the Church of Scientology in Hollywood in 1954 for a reason. He understood that celebrity was increasingly a feature of American public life, and celebrities themselves were going to be worshipped as minor deities were in the ancient world. The idea was: if you could get them, think how many people would follow.

Science fiction invites the writer to grandly explore alternative worlds and pose questions about meaning and destiny.

It's the hardening of these narratives that makes peace so difficult. If each side can see the narrative, the claims that the other has, then there is a much more likely possibility of making a resolution. But what I see is the opposite. There is a total disclaiming of the validity of the other side, and talk that I find really unsettling, the kind of chatter you get from ultra-right Israelis and Hamas is of annihilation. In that kind of dialogue, there's no way to move toward peace.

When you look at the science and the genetic studies that have been done on Palestinians and Jews, you find that there is a unity. They're both descended from the Canaanites. They're essentially the same people.

We hear a lot about theological justifications for the conflicts, but very little about the scientific evidence, which in no way supports them. The time period in which Moses was leading his people out of Egypt, into the Promised Land, the Promised Land was Egypt. We know that. Archaeological records are very clear. The Egyptians were avid bureaucrats even in those days and kept very scrupulous records. I think it's important for us to realize this conflict is built on a legend. It has no scientific support.

Journalism is a flawed profession, but it has a self-correcting mechanism. The rule of journalism is: talk to everybody.

In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.