As an actor, the last thing you ever want to end up on is just a procedural show where you're just a talking head. There's nothing worse than just spitting out words. Words interrupt performance. Performance is king in my world, when it comes to why I'm in this business.

There is a little bit of me infused in every character I play.

There was a day where I was sitting at my desk, working 90-hour work weeks, in a suit, looking at a computer, with all these pitch books on my desk, and I just thought, "This can't be my life..."

Miracle at St. Anna.' I was challenged by Spike Lee. When he offered me the film, he looked me square in the eye and said, 'You start this film off and you end this film. I don't want a dry eye in the theatre. Can you pull that off?' He was dead serious.

I think the biggest lesson that I take from 'Avatar' on any set that I go to is just work ethic. Working with Jim Cameron, you're used to working very, very long days and you're very meticulous about details. He's very, very picky about little details, little character-isms and things.

I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.

I like speed, so I like taking the jet skis out and hitting the water, or hitting the lake. In the winter, unfortunately, I used to ski a lot but I haven't been able to ski in the past few years because thank God I've been working, so that's a good reason not to.