I'm the only person in my family who can't sing. My grandmother was an opera singer and all of her kids were in church five days a week - or between church and vocal lessons at Carnegie Hall. But my mom had her first studio experience recording on my album. She's used to having to fill the room, so she had to adjust to the microphone and not sing opera.
Le1fMy whole background was with bands, so I always thought of "fashion" as performative. It took me a long time to bridge the gap between my music and what I was studying in school, [which was] dance and being a performer.
Le1fI've always wanted to travel. My mom was a geography queen, I knew the atlas, and I looked at her pictures of all her world travels because she traveled a lot before I was born, with my brother. I was always so jealous. I kind of chose a job that would be a way I could see the world without having to pay for it. I'm not going to be a flight attendant. I'm way too busy to be that.
Le1fThere is a masculinity in riot grrrl music, which is probably why I don't identify with it, but also why it was so important and powerful. That is something our scene has - regardless of who is in it, it has this very powerful feminine energy, like a Nefertiti head bust or Storm from X-Men. It's a woman you see as very powerful, sassy, arrogant, and dark.
Le1fI didn't want to do an electro-class album or complex rap album. I wanted to do something that was kind of like a political statement, but also club jams. I wanted it to be dancy, but intelligent at the same time.
Le1fOne time, the homie Venus[-X] read me; we were on the phone and she was like, "Girl, you keep wearing jeans and t-shirts at your shows, but the music doesn't give that." I was like, "You're right, I need to be the person that I am at school, making dance and choreography. I should think about the whole performance." That's when I put the 1 in my name and started dressing for the occasion.
Le1f