The nice thing about doing a pop opera is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of "Why is this person bursting out into song?" because the whole thing is sung.

I think that if an audience is truly appreciative of a performance, they will show it. Sometimes though, there are little differences, and there are audiences that are very reserved even though they are enjoying the show.

The nice thing about doing a pop opera is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of "Why is this person bursting out into song?" because the whole thing is sung.

When I'm doing a one-on-one with somebody, I have to speak in a language that that person can understand, using a vocabulary that they instantly get, and I always have to feel my way around to figure that out. It's a lot of fun, and it's also really challenging - challenging in a different way from performing.

All the Disney Princess films are iconic and beautiful, so to have been a part of all that was really a wonderful part of my life. Its all fabulous, too, that I have a daughter that appreciates the whole Princess thing.

I took some voice lessons here and there as a teenager but nothing too serious. I started taking it more seriously when I was in Miss Saigon. I needed to improve my technique in order to survive doing that show as many time a week as I was doing it. It's not an easy show to sing, so I needed all the help I could get.

There are a lot of actors who wish there was a next play, a next musical. As an actor, I guess that's all I can wish for - the next role, the next opportunity.