It takes so many people to make a success story like that. It starts with the song and the songwriters, then Mark Wright's producing, all of the players that played on it, me singing, the marketing department, the promotion department at the label... It takes a lot of people to make a hit like that.

I think a lot of it had to do with, you know, I was always a daddy's girl. I was always wanting to please him, and I think he was pleased when he'd walk past my room and I was listening to those records.

So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.

Well, probably having to be away from home. When I come back I kind of feel like there's a routine going on that I'm not a part of, so that can be difficult.

And I hate to see artists who are real safe. I love to see artists swing for the fences sometimes.

I don't go out that much anymore, unfortunately. I used to enjoy it, but I'm just so busy. Like last night, everybody else went out, and I just went straight home and went to bed.

I can see me continuing to make the best music I can, and let the chips fall where they may.