It's always tense when you move a character from a book to the screen. Always tense.

The most sustained feat of imagination in mystery fiction today.

This was like July 13th, 1943, the pivotal day of the Battle of the Kursk. We were like Alexander Vasilevsky, the Soviet general. If we attacked now, this minute, we had to keep on and on attacking until the enemy was run off his feet and the war was won. If we bogged down or paused for breath even for a second, we would be overrun again.

Plan A is to hitch a ride out of here. But if they want a war, then plan B is to win it.

Don't get it right - get it WRITTEN!

I had been coming to America very frequently for many, many years, so I had plenty of exposure - and maybe the best kind of exposure, because I think first impressions are very important. Maybe I notice stuff that is just subliminal to people who live here all the time.

He picked up the wrench and broke the guy’s wrist with it, one, and then the other wrist, two, and turned back and did the same to the guy who had held the hammer, three, four. The two men were somebody’s weapons, consciously deployed, and no soldier left an enemy’s abandoned ordnance on the field in working order. The doctor’s wife was watching from the cabin door, all kinds of terror in her face. "What?" Reacher asked her.