I don't work with fear, and I don't work with actors that are fearful.

Every African-American I know has two faces. There's the face that we have for ourselves and the face we put on for white America for the places we have to get to.

I like all my work equally. I look at the projects as children. I look at the experience more than the end result.

I don't work with fear, and I don't work with actors that are fearful.

I'm not tough when it comes to people criticizing the people that I protect, and those are the actors. It makes them scared to do it again for another director.

I embrace the criticism, because ultimately (it means) the masses have seen it [my movie]. I embrace it for my father's story, for my mother's story, for my auntie, for my grandmother, who all got their teeth knocked out so I could be [where I am].

I grew up hardcore. I learned to be more responsible - and fiscally responsible - you know, I just wanna be a kid again! Do a musical, have tons of time or something.