I think that when you have audacity, you will get polarization.

I'm not tough when it comes to people criticizing the people that I protect, and those are the actors. It makes them scared to do it again for another director.

I was always intrigued with European cinema, and hated most American cinema. I didn't like the one, two, three - boom! style, with a neat and tidy ending. That was never my scene.

As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace. So, it's about adjusting to the pace. It's not meant for everybody.

I don't work with fear, and I don't work with actors that are fearful.

I want to go to places that are unexpected of me, because people really think they have me pegged. I want to do something different, like maybe do a space movie or a musical.

I can't do movies where you start thinking "Where's the commercial appeal? How are we going to market this?" It's not that kind of party.