That's kind of my goal: to build a new row of meaningful tones.
Most jazz players work out their solos, at least to the extent that they have a very specific vocabulary.
I'd like to feel that whatever I play is a result of whatever I've heard.
Sound is the first thing that we tune into.
As long as there are people trying to play music in a sincere way, there will be Jazz.
I listen to classical music very much. There's a lot of jazz that I don't enjoy listening to.