I think the first trick to writing a feminist work is to write plenty of women. That way you get to write characters, instead of worrying about paradigms.

But I’ve also been known to answer to ‘sweetheart’ or ‘handsome.

Just because you escape one trap, doesn't mean you will escape the next.

People, particularly big men carrying big rifles, don't expect lip from a scrawny thing like me. They always look a bit dazed when they get it.

When people say impossible, they usually mean improbable.

Anything worth doing always starts as a bad idea.

I like to have powerful enemies. Makes me feel important.