It flows through old hushed Egypt and its sands, Like some grave mighty thought threading a dream, And times and things, as in that vision, seem Keeping along it their eternal stands.

Affection, like melancholy, magnifies trifles; but the magnifying of the one is like looking through a telescope at heavenly objects; that of the other, like enlarging monsters with a microscope.

The drama is not a mere copy of nature, not a facsimile. It is the free running hand of genius, under the impression of its liveliest wit or most passionate impulses, a thousand times adorning or feeling all as it goes; and you must read it, as the healthy instinct of audiences almost always does, if the critics will let them alone, with a grain of allowance, and a tendency to go away with as much of it for use as is necessary, and the rest for the luxury of laughter, pity, or poetical admiration.

The groundwork of all happiness is health.

Nature, at all events, humanly speaking, is manifestly very fond of color; for she has made nothing without it. Her skies are blue; her fields, green; her waters vary with her skies; her animals, vegetables, minerals, are all colored. She paints a great any of them in apparently superfluous hues, as if to show the dullest eye how she loves color.

Mirth itself is too often but melancholy in disguise.

The most fascinating women are those that can most enrich the every day moments of existence. In a particular and attaching sense, they are those that can partake our pleasures and our pains in the liveliest and most devoted manner. Beauty is little without this; with it she is triumphant.