When you're looking around for metaphor or simile, I do think it's often helpful to keep inside the world of the book, to gather your comparisons from the stuff particular to that world - be they king salmon and aviation fuel, or pot roasts and spatulas.

There was always some germ of joy, some little paramecium of happiness wriggling around, waiting for a chance to get out.

The minute I landed back in Alaska, it was back to hip boots and fish guts. This cultural flipping wasn't easy - especially on top of the post-divorce fighting that was still going on between my parents. But this is why you don't write a memoir at age fourteen.

While you can't keep your heart from getting broken, you can stop breaking your own heart...once you realize the difference between what you can control and what you can't, and that it's far, far more fun to lavish all that attention on your own self-worth.

There's a kind of intimacy that happens between a mother and an only child. Which only gets more intimate when it's between a mother and only daughter.

I made myself a rule: write out of love. And when you love somebody, you have to tell the truth about who they are - not the cute "truth" in your head of who they are, the one where you did everything right and they did everything wrong.

My dad felt pretty strongly that I know about the basic workings of a plane and so he taught me how to read and set the instruments, as well as the basics of taking off and landing.