The three-breasted woman was very much at the top of my list in [original 'Total recall']. Like I said, I was fourteen! I remember Arnold [Schwarzenegger] pulling that big tracker out of his nose and freaking out about that. I remember going through the immigration booth where their face splits open with that heavyset redheaded lady. So there were a lot of these little moments that I remember.

One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.

I love helicopters. In fact, my wife and my friends, the myth of the chopper in the sky is that Len's going to stop and look at it. I love, probably, destroying them, yes. You know, It's the big elements, the big toys, the trucks the helicopters, and things like that. You have a few tools to play with.

When I started doing television, I thought that I would change the way that I shot, the way that I blocked, and the technical side of it. You're not going to change your relationship with the actors or how you approach the characters. That wasn't any different.

I think that it drives from an emotional connection with everybody that pulls you through all of those events, whether it's the events or what would be more the action, or I guess the visual effects side of it. So it always starts with me from - emotionally - 'Why do you care about the people who are going through what they're going through?' Because it takes a hell of a lot to put them through that. So you better care for them when they're doing it.

I had done 'Die Hard' and it was somebody's franchise. I actually just got done with the 'Hawaii Five-O' pilot and I was developing some things of my own. So 'Total Recall' one of those projects that I read wanting more not to like it.

The three-breasted woman was very much at the top of my list in [original 'Total recall']. Like I said, I was fourteen! I remember Arnold [Schwarzenegger] pulling that big tracker out of his nose and freaking out about that. I remember going through the immigration booth where their face splits open with that heavyset redheaded lady. So there were a lot of these little moments that I remember.