I think that it drives from an emotional connection with everybody that pulls you through all of those events, whether it's the events or what would be more the action, or I guess the visual effects side of it. So it always starts with me from - emotionally - 'Why do you care about the people who are going through what they're going through?' Because it takes a hell of a lot to put them through that. So you better care for them when they're doing it.

It's more going back into, I've always been really interested in the MKULTRA program and some of the programs and the fact that we really tried to create an actual, I guess you could call it an energy force of yourself. And you know, there were test subjects that were killed during the process. It have a huge ordeal, this huge congressional hearing that shut the whole thing down.

Some people will always be disappointed.

In mine, they were just trying to steal a briefcase of cocaine.* That's it. Some flour that I got out of my mom's cupboard.

A lot of people don't put the numbers together correctly. But Underworld, honestly, the way it came about - the real way it came about - I took a meeting with Dimension, and they were looking to do just a werewolf movie, and I wasn't too interested in doing just a werewolf movie.

I love helicopters. In fact, my wife and my friends, the myth of the chopper in the sky is that Len's going to stop and look at it. I love, probably, destroying them, yes. You know, It's the big elements, the big toys, the trucks the helicopters, and things like that. You have a few tools to play with.

I had done 'Die Hard' and it was somebody's franchise. I actually just got done with the 'Hawaii Five-O' pilot and I was developing some things of my own. So 'Total Recall' one of those projects that I read wanting more not to like it.