On a personal level, I'm proud of Grace Dunham for being so staunchly in her identity. It's a very unusual thing for a young person. I think she's been very strong about it.

As a woman who doesn't necessarily fit the beauty standard in Hollywood... I really related to the narrative of looking for something you felt comfortable in that would properly express your identity, especially when your identity didn't feel like it necessarily matched the one that was being imposed on you.

Katherine Heiny's work does something magical: elevates the mundane so that it has the stakes of a mystery novel, gives women's interior lives the gravity they so richly deserve -- and makes you laugh along the way.

We both followed our hearts and had no choice but to hurt each other deeply.

When you're writing a script you have the option to embellish on life or switch the order of events or make it generally more cinematic. I would stick too closely to my own experience and not necessarily think about the fact that it needs to have an event happen. Realising that I could channel my own experience into a story that was slightly more cinematic was a very important moment for me - allowing myself to accept that the kind of screenwriting I'm doing is a work of fiction.

Women want to control other women because they've been controlled themselves. It's a cycle of control. I'm not blaming women for that, but I am saying we're part of a toxic culture that's feeding all of us the same messaging.

Let's call a spade a spade - a lot of times when you are a vegetarian it is a just not very effective eating disorder.