I'm really lucky because my sister is a real activist soul and also hyper-intellectualized in this way that's really allowed me to wrap my mind around some of the bigger intellectual concepts and really understand the language around identity in the gender nonconforming community.

I've always been someone in [childhood] period of my life sort of the pains and anxieties of being young are the things that have really stuck with me.

When you're writing a script you have the option to embellish on life or switch the order of events or make it generally more cinematic. I would stick too closely to my own experience and not necessarily think about the fact that it needs to have an event happen. Realising that I could channel my own experience into a story that was slightly more cinematic was a very important moment for me - allowing myself to accept that the kind of screenwriting I'm doing is a work of fiction.

I spent all my time on my movies worried that people were eating and that the schedule was being kept, so to have experts in those areas giving me the brain space as a writer and director is huge.

I sometimes want to make a book of every tattoo I wanted to get before I actually got a tattoo, because there were so many awful ideas and concepts.

It'll be taught in homes that it's not okay to make fun of a kid because he's gay or it's not okay to make fun of a girl cause she's fat. But that we have been living for so long in a culture where so many people's parents supported those beliefs that there wasn't any infrastructure for children understanding right and wrong in those situations, if that makes sense.

I just hope that I continue to keep a line between my private life and who I play, even if they are closely intertwined, and so I'm careful. I don't even know where my line is, but I know I have a line.