I seriously consider television to be the people's medium. Like the idea of seeing your parents naked or having somebody go down on you and worrying about whether you smell, or worrying about whether your body is weird or what goes across the face of a person who's supposed to be experiencing pleasure but isn't - those are things I'd love to normalize on TV.

No one wants to see a tattoo on a stomach.

When you're writing a script you have the option to embellish on life or switch the order of events or make it generally more cinematic. I would stick too closely to my own experience and not necessarily think about the fact that it needs to have an event happen. Realising that I could channel my own experience into a story that was slightly more cinematic was a very important moment for me - allowing myself to accept that the kind of screenwriting I'm doing is a work of fiction.

There is nothing gutsier to me than a person announcing that their story is one that deserves to be told, especially if that person is a woman. As hard as we have worked and as far as we have come, there are still so many forces conspiring to tell women that our concerns are petty, our opinions aren’t needed, that we lack the gravitas necessary for our stories to matter. That personal writing by women is no more than an exercise in vanity and that we should appreciate this new world for women, sit down, and shut up.

I think women are conditioned to stand by their man and watch them make it to the top, but most men never believe the person they get into a relationship with is going to rise any higher than she was when they met. It takes a very special, evolved person to be able to deal with change within a relationship.

I have an authority problem.

I mean, I - it's so funny, I am, you know, I am, you know, a working woman out in the world, but I still live with my parents half the time. I've been sort of taking this very long, stuttering period of moving out.