I always thought that if you had any real proximity to famous people, that your obsession with famous people, would wane is some way. Like, I wouldn't want to deep google Matthew McConaughey's early relationships for hours before I go to bed. And it's just gotten worse.

There is no way that my mother hasn't influenced my career. She's my first critic. She's my best critic. She has the best instincts from writing to style to editing, to the visual elements of my career.

In Hollywood, you've got a hundred people on set, and shooting the sex scene you're wearing nude-toned underwear and tape on your nipples. Nothing is going beyond where you want it to go.

You're a small business and you have to take care of yourself the way you would a small business and take care of yourself the way any small business owner would.

I went to schools that were small enough that basically everyone was in a play. I played a bouncing ball in a production of Alice in Wonderland and a fat man in an Italian commedia dell'arte play. I was given some small chances.

I wish that author [ E. L. James] all the success in the world. It's just not for me.

When you're writing a script you have the option to embellish on life or switch the order of events or make it generally more cinematic. I would stick too closely to my own experience and not necessarily think about the fact that it needs to have an event happen. Realising that I could channel my own experience into a story that was slightly more cinematic was a very important moment for me - allowing myself to accept that the kind of screenwriting I'm doing is a work of fiction.