I'm not setting 'Jericho' up to be anything other than what it is, which is, you know, a piece of good, well thought-out, well put-together TV and entertainment.

I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.

I've worked in the theater, television, and films. A five-hour TV series is certainly more time than a character I'd be playing in a film.

I will say that when I first came out to the States to work on 'Jericho,' that was the only time that I've ever been frightened about a job, because in America they tell stories over such a long time, and I was petrified that I'd get bored.

If you're very clearly good or you're very clearly bad, then there isn't that much internal dilemma going on, and that's not necessarily as interesting to play.

I owe 'Jericho' my whole time in America, really. It was a fantastic group of people to work with.

I like playing guys where it's as important what they're thinking as what they're saying. Those are the people I like playing, and the actor that I strive to be. I like actors who work in that area and I like parts that allow me to work in that area.