I didn't really listen to rock 'n' roll until I moved to LA. We would ditch school, go get high, put on Zeppelin IV and just bug out.

My dream is to become a farmer. Just a Bohemian guy pulling up his own sweet potatoes for dinner.

I was watching an interview with Martin Scorcese concerning Raging Bull, which is one of my favorite films, and he was talking about how he'd worked with a lot of guys who weren't quote-unquote "actors," like Joe Pesce and Frank Vincent. Scorcese was very smart in the way that he cast, because you don't know where you're going to find the right person who can carry a role and summon that emotion you're looking for.

We have so many distractions. We're losing the family unit. We're losing the one-on-one. We're becoming extremely narcissistic. And we have to be careful about that. There's a lot to deal with out there.

If you go to Japan, they're still buying vinyl, and they want the education. They know who's playing on what tracks from the '60s and the '70s - who the guitar player is, who the drummer is, who the producer was, what studio it was recorded in. That's how I grew up listening to music. We bought albums. We read the liner notes. It was important to know the whole history behind it.

I honestly don't remember how I wrote or did the songs. Or the sessions. They all become very much a blur. And each album is like that. It may be that there are different locations, it may take longer, shorter, or whatever, but it's always something that just happened.

Music definitely inspires my design all the time.