People don't realize it, but no one lives that rock and roll life 24-7. They think it's hundreds of bottles of champagne flowing and private jets and money. But there's a lot of time when you're traveling - time to think, time to be lonely. Sometimes it gets to you.

A lot of people don't listen to the lyrics, really.

I think kids in Europe have developed a deeper knowledge of music and of black music in particular. You go to Europe, and these kids know about all this obscure funk and soul that kids over here wouldn't know. I think it's getting better in the States, though, with the age of the Internet.

I went to Paris in 1989 when the Americans didn't quite know what to do with me at first. Now, all those years later, it's kind of the same story. Not the same scenario, but kind of the same story.

Music, for me, is completely self-indulgent. I write it, I play the instruments, I arrange it, I produce it. It's all about me - as it should be.

The way I was raised and the people that I grew up around for the most part were very humble people, and I appreciate all that they taught me, and their energy and their magnanimity help keep me grounded.

It doesn't take a lot to get me motivated. I'm a studio rat. When I was in high school and I would walk into a recording studio, it felt like this magical place, this temple, this womb that I could escape into.