When I'm in the studio, I write the music, I play the different instruments, I produce it, I arrange it, and it's a self-indulgent exercise. It's the way I make my music. And when I'm acting, I get to leave myself behind, which is a relief. I get to collaborate with a director; I respect the director's medium and all the actors and actresses. So at the end of the day, it's about a character and it's about a director's vision. It's a really good balance for being so intense and alone in my personal process of making music.

If I were white, I'd get less criticism.

I mean, look at the people we celebrate - a lot of people who really don't do anything. They just walk the red carpets and go to all the parties, and they're hooked up with the right people, so they're celebrities. But what for?

I went to Paris in 1989 when the Americans didn't quite know what to do with me at first. Now, all those years later, it's kind of the same story. Not the same scenario, but kind of the same story.

Race in this country is still the elephant in the room that no one wants to discuss.

You never know where you're going to find a great actor.

I've always been into films. I've been offered lots of films but they've always been these very stereotypical roles. They wanted me to play some gangster or street guy, or pimp, drug addict.