Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess of stored-up energy; it is not the expression of man's emotions by external signs; it is not the production of pleasing objects; and, above all, it is not pleasure; but it is a means of union among men, joining them together in the same feelings, and indispensable for the life and progress toward well-being of individuals and of humanity.

Happy people have no history.

Each time of life has its own kind of love.

The two most powerful warriors are patience and time.

We love people not so much for the good they've done us, as for the good we've done them.

All were happy - plants, birds, insects and children. But grown-up people - adult men and women - never left off cheating and tormenting themselves and one another. It was not this spring morning which they considered sacred and important, not the beauty of God's world, given to all creatures to enjoy - a beauty which inclines the heart to peace, to harmony and to love.

When it is impossible to stretch the very elastic threads of historical ratiocination any farther, when actions are clearly contrary to all that humanity calls right or even just, the historians produce a saving conception of 'greatness.' 'Greatness,' it seems, excludes the standards of right and wrong. For the 'great' man nothing is wrong, there is no atrocity for which a 'great' man can be blamed.