I extract what I consider the best material from different sources. But often the material I perform comes from a very strange location in history, which are minstrel shows.

I've got a very behind-the-scenes personality. I don't know how I became a performer. I like to stay discreet, out of the public eye, very low-key.

I extract what I consider the best material from different sources. But often the material I perform comes from a very strange location in history, which are minstrel shows.

Lonesome. Lonesome. I know what it means. Here all by my lonesome, dreaming empty dreams. Weary. Weary at the close of day, wondering if tomorrow brings me joy or sorrow.

I think of these things as obstacles rather than opportunities, because if they were opportunities it means I actually took the business of doing them seriously. To take myself too seriously is the gentle kiss of death.

What I do and what I record only work for the moment.

The only thing that interests me is history - reviewing the past and making something out of it.