People used to say my music was too difficult or too obscure, and I never set out to be difficult or obscure. I just set out to write what I felt as honestly as I could, and I am delighted when other people feel a part of themselves in the music.

We've got to temper anything we say with that. On the other hand, you've got to be serious about what you do. And you've got to understand the price you pay for frivolity or just for greed - it's a very high price, especially if you're involved in this sacred material, which is about the human heart and human desire and human tragedy.

No one's ever done one of my songs badly. People say to me, "God, so-and-so wrecked that song." Well, I'm unaware of it. Anybody doing one of my tunes has earned my gratitude, and I don't get that many covers where I have the luxury to choose.

As the mist leaves no scar On the dark green hill So my body leaves no scar On you and never will

I have to finish it in order to know whether it deserves to survive.

Well, I've been waiting, I was sure we'd meet between the trains we're waiting for I think it's time to board another Please understand, I never had a secret chart to get me to the heart of this or any other matter

Most of our distractions are designed to invite us away from this recognition, which is a good idea.