We are so lightly here. It is in love that we are made. In love we disappear.

It is different [to perform in Israel] because it arises from very deep wells of affiliation.

This civil action is another case of a tragedy that has become all too familiar in the music industry: a business manager and professional advisers exploit an immensely talented artist's loyalty and trust through greed, self-dealing, concealment, knowing misrepresentation and reckless disregard for professional fiduciary duties.

Some say that no one ever leaves Montreal, for that city, like Canada itself, is designed to preserve the past, a past that happened somewhere else.

I swear by this song and by all that I have done wrong, I will make it all up to thee.

And clenching your fist for the ones like us Who are oppressed by the figures of beauty.

To have [Adam's Cohen] microscopic attention to my work was really a great privilege.