I will not be held like a drunkard / under the cold tap of facts

The moon is swimming naked and the summer night is fragrant with a mighty expectation of relief.

[Europe has] this tradition of self revelation in popular music. We have it here - it's called Country Western Music... I think that's where the deeper and more complex subjects are treated.

I am running through a snowfall which is her thighs, he dramatized in purple. Her thighs are filling up the street. Wide as a snowfall, heavy as huge falling Zeppelins, her damp thighs are settling on the sharp roofs and wooden balconies. Weather-vanes press the shape of roosters and sail-boats into the skin. The faces of famous statues are preserved like intaglios.

And I'll dance with you in Vienna, I'll be wearing a river's disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I'll bury my soul in a scrapbook, with the photographs there and the moss. And I'll yield to the flood of your beauty, my cheap violin and my cross.

In Montreal spring is like an autopsy. Everyone wants to see the inside of the frozen mammoth. Girls rip off their sleeves and the flesh is sweet and white, like wood under green bark. From the streets a sexual manifesto rises like an inflating tire, “the winter has not killed us again!

Journalists, especially English journalists, were very cruel to me. They said I only knew three chords when I knew five!