Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.

Other times, you're doing some piece of work and suddenly you get feedback that tells you that you have touched something that is very alive in the cosmos.

Interesting. You Earth people glorify organized violence for 40 centuries, but you imprison those who employ it privately.

Whatever I have given, I have gained.

My dream concept is that I have a camera and I am trying to photograph what is essentially invisible. And every once in a while I get a glimpse of her and I grab that picture.

Rocket ships are exciting but so are roses on a birthday.

I've never understood the female capacity to avoid a direct answer to any question.