For me it's all about personal vision; is there something about a subject that uniquely speaks to me.

Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.

If you are walking down the street, camera in your hand, loaded and ready to shoot. You see a person falling from a high building, either having fallen or jumped. That person is falling through space. You don't shoot that photograph unless the theme you are working on has to do with the effects of space on the human figure. If you simply photograph that event because it is an event that is happening, you're doing photojournalism.

I could not deprive you of the revelation of all that you could accomplish together, of a friendship that will define you both in ways you cannot yet realize.

Hello, I'm Leonard Nimoy. The following tale of alien encounters is true. By true I mean false. It's all lies. But they're entertaining lies and in the end, isn't that the truth? The answer is no.

Where there is no emotion, there is no motive for violence.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.