I am intrigued with scriptural mythology that tells us that God created a divine feminine presence to dwell amongst humanity. This concept has had a constant influence on the work. I have imagined her as ubiquitous, watchful, and often in motion. This work is, in effect, the photographic image of the invisible.

Other times, you're doing some piece of work and suddenly you get feedback that tells you that you have touched something that is very alive in the cosmos.

Whatever I have given, I have gained.

Logic is the beginning of wisdom, not the end.

My memory of those places is better than my pictures. That's why I get much more satisfaction out of shooting thematic work that has to do with an idea that I'm searching for, or searching to express.

But if you're talking about fine art work, then I think you have to ask yourself some pretty deep questions about why it is you want to take pictures and what it is you want to say.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.